“Her hair was very black and she wore it cut square and low on the nape of the neck, framing her face to below the clear and beautiful line of her jaw. Although it was heavy and moved with the movements of her head, she did not constantly pat it back into place, but let it alone. Her eyes were wide apart and deep blue and they gazed candidly back at Bond with a touch of ironical disinterest which, to his annoyance, he found he would like to shatter, roughly.
Live and Let Die
“Her face was pale, with the pallor of white families that have lived long in the tropics. But it contained no trace of the usual exhaustion which the tropics impart to the skin and hair. The eyes were blue, alight and disdainful, but, as they gazed into his with a touch of humour, he realized they contained some message for him personally. It quickly vanished as his own eyes answered. Her hair was blue-black and fell heavily to her shoulders. She had high cheekbones and a wide, sensual mouth which held a hint of cruelty.
Hair: Auburn. Eyes: Blue. Height: 5 ft 7. Weight: 9 stone. Hips: 38. Waist: 26. Bust: 38. Distinguishing marks: Mole on upper curvature of right breast.
Hm! thought Bond
Diamonds are Forever
“She was very beautiful in a devil-may-care way, as if she kept her looks for herself and didn't mind what men thought of them, and there was an ironical tilt to the finely drawn eyebrows above the wide, level, rather scornful grey eyes that seemed to say, 'Sure. Come and try. But brother, you'd better be tops.'
From Russia With Love
Fine dark brown silken hair brushed straight back from a tall brow and falling heavily down almost to the shoulders, there to curl slightly up at the ends, a good, soft pale skin with an ivory sheen at the cheekbones; wide apart, level eyes of the deepest blue under straight natural brows (she closed one eye after the other. Yes, her lashes were certainly long enough!) a straight, rather imperious nose - and then the mouth. What about the mouth? Was it too broad? It must look terribly wide when she smiled. She smiled at herself in the mirror. Yes, it was wide; but then so had Garbo's been. At least the lips were full and finely etched. There was the hint of a smile at the corners. No one could say it was a cold mouth! And the oval of her face. Was that too long? Was her chin a shade too sharp? She swung her head sideways to see it in profile. The heavy curtain of hair swung forward and across her right eye so that she had to brush it back. Well, the chin was pointed, but at least it wasn't sharp. She faced the mirror again and picked up a brush and started on the long, heavy hair.
It was a naked girl, with her back to him. She was not quite naked. She wore a broad leather belt round her waist with a hunting knife in a leather sheath at her right hip. The belt made her nakedness extraordinarily erotic. She stood not more than five yards away on the tideline looking down at something in her hand. She stood in the classical relaxed pose of the nude, all the weight on the right leg and the left knee bent and turning slightly inwards, the head to one side as she examined the things in her hand.
Although she was a very beautiful girl she was the kind who leaves her beauty alone. She had made no attempt to pat her hair into place. As a result, it looked as a girl's hair should look - untidy, with bits that strayed and a rather crooked parting. It provided the contrast of an uneven, jagged dark frame for the pale symmetry of the face, the main features of which were blue eyes under dark brows, a desirable mouth, and an air of determination and independence that came from the high cheek-bones and the fine line of the jaw. There was the same air of self-reliance in her figure. She held her body proudly - her fine breasts out-thrown and unashamed under the taut silk. Her stance, with feet slightly parted and hands behind her back, was a mixture of provocation and challenge.
For Your Eyes Only
Judy Havelock (For Your Eyes Only)
The girl looked like a beautiful unkempt dryad in ragged shirt
and trousers. The shirt and trousers were olive green, crumpled and splashed with mud and stains and torn in places, and she had bound her pale blonde hair with golden-rod to conceal its brightness for her crawl through the meadow. The beauty of her face was wild and rather animal, with a wide sensuous mouth, high cheekbones and silvery grey, disdainful eyes. There was the blood of scratches on her forearms and down one cheek, and a bruise had puffed and slightly blackened the same cheekbone. The metal feathers of a quiver full of arrows showed above her left shoulder. Apart from the bow, she carried nothing but a hunting-knife at her belt and, at her other hip, a small brown canvas bag that presumably carried her food. She looked like a beautiful, dangerous customer who knew wild country and forests and was not afraid of them. She would walk alone through life and have little use for civilization.
Mary Ann Russell (From A View To A Kill)
She had everything, but absolutely everything that belonged in his fantasy. She was tall and, although her figure was hidden by a light raincoat, the way she moved and the way she held herself promised that it would be beautiful. The face had the gaiety and bravado that went with her driving, but now there was impatience in the compressed lips and the eyes fretted as she pushed diagonally through the moving crowd on the pavement.
Lisl Baum (Risico)
She had the gay, bold, forthcoming looks the Viennese are supposed to have and seldom do. There was a vivacity and a charm about her that lit up her corner of the room. She had the wildest possible urchin cut in ash blonde, a pert nose, a wide laughing mouth and a black ribbon round her throat.
Liz Krest (The Hildebrand Rarity)
She could have been a model – probably had been before she became a hotel receptionist – that respectable female calling that yet has a whiff of the high demi-monde about it – and she still moved her beautiful body with the unselfconsciousness of someone who is used to going about with nothing, or practically nothing, on. But there was none of the chill of the model about her – it was a warm body and a friendly, confiding face. She might be thirty, certainly not more, and her prettiness, for it was not more than that, was still immature. Her best feature was the ash-blonde hair that hung heavily to the base of her neck, but she seemed pleasantly lacking in vanity about it. She didn’t toss it about or fiddle with it, and it occurred to Bond that she didn’t in fact show any signs of coquetry. She had stood quietly, almost docilely, with her large, clear blue eyes fixed almost the whole time on her husband. There was no lipstick on her mouth and no lacquer on her fingernails or toenails, and her eyebrows were natural.
The Spy Who Loved Me
My name is Vivienne Michel and, at the time I was sitting in the Dreamy Pines motel and remembering, I was twenty-three. I am five feet six, and I always thought I had a good figure until the English girls at Astor House told me my behind stuck out too much and that I must wear a tighter bra. My eyes, as I have said, are blue and my hair a dark brown with a natural wave and my ambition is one day to give it a lion's streak to make me look older and more dashing. I like my rather high cheekbones, although these same girls said they made me look 'foreign', but my nose is too small, and my mouth too big so that it often looks sexy when I don't want it to. I have a sanguine temperament which I like to think is romantically tinged with melancholy, but I am wayward and independent to an extent that worried the sisters at the convent and exasperated Miss Threadgold at Astor House.
On Her Majesty’s Secret Service
Teresa di Vicenzo (Tracy)
And then there she was! She had come from nowhere and was standing beside the croupier, and Bond had no time to take in more than golden arms, a beautiful golden face with brilliant blue eyes and shocking pink lips, some kind of a plain white dress, a bell of golden hair down to her shoulders, and then it came. 'Banco!'
You Only Live Twice
To Bond, they all seemed beautiful and gay in the soft
evening light - the proud, rather coarse-nippled breasts, the gleaming, muscled buttocks, cleft by the black cord that held in place the frontal triangle of black cotton, the powerful thong round the waist with its string of oval lead weights, through which was stuck an angular steel pick, the white rag round the tumbled hair and, below, the laughing dark eyes and lips that were happy with the luck of the day. At that moment, it all seemed to Bond as the world, as life, should be, and he felt ashamed of his city-slicker appearance, let alone the black designs it concealed.
One girl, rather taller than the rest, seemed to pay no attention to the men on the jetty or to the police launch riding beside it. She was the centre of a crowd of laughing girls as she waded with a rather long, perhaps studied, stride over the shiny black pebbles and up the beach. She flung back a remark at her companions and they giggled, putting their hands up to their mouths.
The Man With The Golden Gun
She stood away from him. The golden bell of hair fell back to embrace her neck. She hadn't changed. Still only the faintest trace of make-up, but now the face was golden with sunburn from which the wide-apart blue eyes, now ablaze with the moon, shone out with that challenging directness that had disconcerted him when they had argued over some office problem. Still the same glint of health over the good bones and the broad uninhibited smile from the full lips that, in repose, were so exciting.
Octopussy And The Living Daylights
‘Trigger’ (The Living Daylights)
The girl was taller than the others and her long, straight, fair hair, falling to her shoulders, shone like molten gold under the arcs at the intersection. She was hurrying along in a charming, excited way, carrying the ’cello case as if it were no heavier than a violin. Everything was flying – the skirt of her coat, her feet, her hair. She was vivid with movement and life and, it seemed, with gaiety and happiness as she chattered to the two girls who flanked her and laughed back at what she was saying. As she turned in at the entrance amidst her troupe, the arcs momentarily caught a beautiful, pale profile. And then she was gone and, it seemed to Bond, with her disappearance a stab of grief lanced into his heart.